Bev Bergeron is a world-famous Orlando , Florida ,
Disney World magician. He is known as an inventor of tricks, and successful
entertainer. For these reasons I was exited to watch his show in 1989 at the
"Red River Exhibition" in Winnipeg , an
agricultural fair, whose equivalents include Toronto 's
"Canadian National Exhibition", and Vancouver 's "Pacific National
Exhibition". What struck me immediately, was that Bergeron walked out on
stage with an oversized carpet-bag, also known as a "Mary Poppins Bag".
He worked his complete act out of this large, attractive, tapestry bag, wearing
a sort of "huckster/pin-stripe suit" . I've always had a fascination
with carpet-bags, perhaps because they look so old and magical; how many times
have we seen on television and movies magicians, witches, and other interesting
characters carrying one, pulling from it potions and other magical artefacts?
There is a sort of mystique about carpetbags, and I made up my mind right then
and there that I would acquire one for my period-themed magic shows; up until
that point, I'd been shlepping around a cumbersome trunk on wheels; how convenient
and magical-looking would a carpet-bag look in my shows, what with colourful
props and silk handkerchiefs coming out from it? I was once again obsessed.
My First Carpet-Bag
As luck (or fate?) would have it, modern carpet-bags, and
carpet-bag luggage was all the rage in 1989! All I had to do was walk through
any luggage department of almost any department store, and strike gold!
"The Bay" in Winnipeg
was my first stop, and 'lo and behold, there it was: the bag that would house,
transport, and be instrumental in the look and execution of my live
magic-shows! It was beautiful: a brown, paisley tapestry material, with brown
leather handles! It even matched my medieval costume, with it's white and brown
suede "feel".
This bag went through hundreds and hundreds of shows, and
one of the handles was beginning to wear; I decided it was time to go back to
The Bay and buy a spare one. This was easier said than done, as this style of
luggage was beginning to wane in popularity; I had no choice but to buy a
grey-paisley tapestry bag, but this one had longer handles, (a more
feminine/hand-bag-look to it) but I didn't care, this would be the next bag
once the current one wore out and would be retired to that great magic museum
in the sky. The wonderful thing about this bag was that it housed all of my
children's show props with ease; it even had a couple of interior pockets for
carrying spare balloons and smaller props! Furthermore, I made my show even more self-contained by
carrying a folding side-table (known in the trade as a "Harbin " table) in the bag as well! The
bag and my Cittern in it's case completed my set up, both of which I'd throw
into my hatchback and drive to a half-dozen shows in a day, back in the day. I
must admit I started to get a bit carried away with the
"self-contained" theme (ie- not needing any additional tables or
chairs once I arrived at a show, by screwing folding TV-dinner tray legs to the
bottom of my guitar case, so that the case would rest on its own legs
so-to-speak, while my carpet-bag rested on it's own tripod-stand, which was
screwed/attached to a flange at the bottom of the bag; the whole idea of
spontaneity (ie-the bag sitting on a chair) seemed lost, so when I switched to
the newer grey bag, I dropped the use of a tripod-stand for it to sit on.
I debuted the set-up during the week of Halloween 1989 at a
mall show in Winnipeg ;
it was also the first time I sang an
original warm-up song, "You Can Do Anything You Want", which later
became one of the theme-songs of one of my TV-shows, "Magic Mike &
Company". Depending on the size of the venue, I alternated using my
carpet-bag with my trunk for housing and transporting my props in Winnipeg from 1989 to 1994, then into Vancouver shows from 1994 to 2004. I loved
hearing the kids commenting that I "had a Mary Poppins bag",
especially when I pulled an umbrella out of the bag to do a particular
illusion...what a perfect tie-in! The illusion, by-the-way, is Abbott's
"Mutilated Parasol".
I'd like to share at this point, a brief history of carpet bags in general.
A Brief History of Carpet Bags
Such bags were popular in the United States and Europe during the 19th century. They are still made to this day, but now typically as women's decorative small luggage and purses, although typically no longer out of old carpets. Carpet was the chosen material because, during the time, carpet in homes was a popular accent piece and the "remainder" pieces were easily bought to use for the construction of carpet bags. In a sense, the carpetbag was a sustainable invention because it used remnants of materials which otherwise would have gone unused.
The carpetbaggers of the Reconstruction era following the American Civil War were given their name from this type of luggage which they carried from the Scientific American Supplement, No. 561, October 2, 1886 "The old-fashioned carpet bag" is still unsurpassed by any, where rough wear is the principal thing to be studied. Such a bag, if constructed of good Brussels carpeting and unquestionable workmanship, will last a lifetime, provided always that a substantial frame is used.
Carpet bags sometimes also served as a "railway rug", a common item in the 19th century for warmth in drafty, unheated rail-cars. The rug could either be opened as a blanket, or latched up on the sides as a traveling bag. From Robert Louis Stevenson's Travels with a Donkey in the CĂ©vennes (1879): "... my railway-rug, which, being also in the form of a bag, made me a double castle for cold nights." [2]
One of the most popular carpet bag brands of the mid 1960s (known as "the California Carpetbagger" is Jerry Terrence Original Carpet Bag, aka: JT Carpet Bag.The company encouraged the use of brand new carpet material.
The Leather Doctor's
Bag (Gladstone Bag)
After my hiatus from magic to earn a masters degree, then
three doctorates in metaphysics, (I am Rev. Dr. Michael Likey, by-the-way...a
clinical hypnotherapist, and Doctor of Theocentric Psychology among other things),
I caught the "magic bug" again almost two year ago! To become
obsessed with leather doctor's bags as an extension of my love for carpet-bags
wasn't much of a stretch, thus, I own several standard black-leather doctor's
bags, a beautiful brown leather one, and a vintage, (1920's, in almost perfect
condition!) oversized leather doctor's bag imported from England, purchased
through E-Bay. My intension was to replace the feminine-looking grey-paisley,
long-handled tapestry bag with a larger, more masculine-looking, brown-leather
doctor's bag, which suits me more nowadays. You'll almost always, when
attending one of my live magic concerts these days, see me with either the
large doctor's bag, or my steamer/upright trunk on wheels, and my Cittern or
Dulcimer case, unless it's a non-period show, in which case, I'll have either
my Ovation or Epiphone guitar, and props in the trunk or the bag. I should
mention a brief history at this point of the Gladstone bag.
History of the Gladstone Bag
Hinged luggage was first developed in the late 19th century. The first Gladstone bag was designed and manufactured by J G Beard at his leather shop in the City of Westminster.Beard was an avid admirer of Gladstone, and named it to memorialise his name.
Though the Gladstone bag developed into the typical flat-sided suitcase of today, modern leather versions are marketed which in fact are not Gladstone bags. Often these modern bags are made with soft, rounded sides, only opening at the top. This incorrectly named Gladstone bag is actually a kit bag, or a square-mouthed bag. The Gladstone bag has been mentioned numerous times in literature by Arthur Conan Doyle, J.D. Salinger, Tennessee Williams, Oscar Wilde, and many more.
There you have it! I guess you can say that magic is truly
my "bag".